Dana Gillespie: the Swinging Sixties wild child on sex, spirituality and Ziggy Stardust

Dana Gillespie (1949-) is one of the few remaining women who was at the centre of the Sixties and Seventies in London and in New York, having been best mates with David Bowie and pretty much anyone who was anyone back then. Eric Clapton was very nearly her guitar teacher, Led Zep’s Jimmy Page played on her early folk records and she was in and out of the tabloids with Bob Dylan as a teenage girl. She has recorded with Elton John, had her portrait screen printed by Andy Warhol's Factory, and shared a stage with rock’n’roll greats Chuck Berry, Bo Diddley and the Stones. She's lived a life as starry and storied as Marianne Faithfull and Anita Pallenberg – so why hasn't anyone heard of her?



In the 1970s, Dana went glam-pop with the track Andy Warhol, which Bowie had written for her, and released the 1974 album Weren’t Born A Man, where she appears in a corset and stockings on the cover. But then Bowie’s management company went bust and The Thin White Duke stopped returning her calls. Unable to get out of her contract for years, she turned to acting and starred in musicals, though the tabloids were always distracted by her buxom image. In the 1980s, she reinvented herself as a blues singer, founded the Mustique blues festival and has now released upwards of 70 albums, including 13 in Sanskrit.



Dana is perhaps just as famous for her long list of lovers, including Keith Moon, Michael Caine and Sean Connery. But Dylan clearly recognised that she is one of a kind and, in the 90s, invited her to open up for him on his UK tour. She has also become a rock star of the spiritual world, having performed in front of a million people at her guru Sai Baba’s birthday celebrations. Her style of blues is saucy and knowing, and you can still see her performing every month at a venue called the Temple of Music And Art in south London.



Truth be told, Dana has lived such a life that we could have made an entire series about her. If you want more no-holds-barred tell-alls, check out her 2020 memoir, Weren’t Born A Man. In this episode, she talks about coming from money, her infamous basement hangout in South Kensington, her love of the blues, how she met Bowie, her freewheeling attitude to sex, love and forgiveness, her spiritual awakening, making music into her 70s and how she hopes she won't be forgotten in the pantheon of great British artists.



This episode was produced by Sarah Nichol, presented by Kate Hutchinson and sound designed by Colour It In. Portrait by Laura Kelly.



Music in this episode:

Dana Gillespie - Track 06
Dems - Unreleased
Blue Dog Sessions - Funk & Flash
Mr Smith - Badass
Dana Gillespie - Track 07
Kevin McLeod - Hustle
Bruce Millar - Sitar & Tabla Duo
Jim Barrett - Star Fragment



Ident music: Emmy The Great.

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The Last Bohemians is an award-winning, critically acclaimed podcast that meets maverick and radical women in arts and culture and takes listeners on an evocative trip through their extraordinary lives. From subversive musicians and style icons to game-changing artists, these are women who have lived life on the edge and who still refuse to play by the rules. The series was created in 2019 by host and journalist Kate Hutchinson and is produced by a team of rising women and non-binary talents in audio, with photography by Laura Kelly.Season 1 features Molly Parkin, Cosey Fanni Tutti, Pauline Black and more; Season 2 stars Judy Collins, Gee Vaucher, Zandra Rhodes and P.P. Arnold; Season 3 is with Maggi Hambling, Cleo Sylvestre and Dana Gillespie; Season 4 goes to LA with Angelyne, Gloria Hendry, Linda Ramone, Penny Slinger, Johanna Went and more. In 2020, The Last Bohemians published a lockdown special with performance artist Marina Abramović and the series returns in 2025 with the late Nikki Giovanni.The Last Bohemians has been a podcast of the week in the Guardian, Observer New Review, The Financial Times and on Radio 4. It has been featured in The New Yorker, Frieze, Another, Dazed, Refinery29 and many more. The podcast won silver for Best New Podcast at the British Podcast Awards 2020 and was a finalist for the Grassroots Production Award at the 2021 Audio Production Awards.Follow us at http://www.instagram.com/thelastbohospod.PRAISE FOR THE LAST BOHEMIANS “This series is a delight… Run to this podcast right now” The Observer "Unusually intimate portraits of spectacular lives… Buoyed by exquisite production, these conversations are atmospheric, contemplative and fabulously candid" Financial Times "A beautifully intimate set of portraits made by an all-female audio team – what more could you ask for to celebrate International Women’s Day?" The Guardian Feisty, heartfelt and bursting with wisdom" NME "A rhapsodic, necessary retelling of trailblazer stories" Dazed

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